Gray Is the New Gold: The Audience Advertising Pretends Not to See

Lights, Camera… Hair Extensions

It's only a matter of time before Oscar goes from Gold to gray. Titanium Gray, that is. Thanks to Gemini for helping create this illustration.

It’s awards season once again. The annual parade of red carpets, borrowed diamonds, and the unspoken rule that “Who are you wearing?” matters more than “Did anyone actually see the movie?” For a few glossy weeks, $5,000 hairstyles are considered sensible investments, cleavage earns its own close-up, and Hollywood reminds us it still knows how to put on a show.

Yet beneath the spectacle, a quieter cultural shift is unfolding on the silver screen. At Sunday’s Golden Globes, when 74-year-old Stellan Skarsgård won Best Supporting Actor, he joked that he hadn’t prepared remarks because he assumed he was “too old” to win. The room laughed. But the moment lingered, not because it was charming, but because it exposed how deeply Hollywood ageism remains normalized, even as the industry itself is beginning to outgrow it.

The irony? Hollywood already knows better.

Expiration Dates Are for Milk, Not Talent

Conventional wisdom insists film is a young person’s game, powered by viral buzz, franchise IP, and faces that still get carded. According to the myth, relevance has an expiration date, and it lands somewhere around 40. Awards season tells a different story - one driven by age diversity, not youth obsession.

Over the past decade, a significant share of Oscar and Golden Globe nominees and winners in acting and directing categories have been over the age of 50.¹ Mature actors now dominate prestige categories, and casting trends increasingly favor experience over novelty. Creatives over 65 appear regularly, while artists over 75 are no longer outliers, they are celebrated contenders.²

Martin Scorsese becoming the oldest Best Director nominee in Academy Awards history at age 81 wasn’t a sentimental exception.³ It was a signal of a broader Hollywood renaissance, one where longevity and creative excellence reinforce each other. This is the same dynamic powering the rise of older leading ladies and men, from Frances McDormand to the ongoing Meryl Streep effect, where talent compounds with time.

Where the disconnect happens isn’t in film. It’s in marketing.

Hollywood Gets It. Advertising… Not So Much.

Hollywood has historically led social change rather than followed it. All in the Family dragged uncomfortable truths into America’s living rooms. Will & Grace helped redefine cultural norms around identity. Today, the industry is quietly pushing forward on authentic aging on screen and age-appropriate casting trends, even as advertising lags.

Marketing still treats people over 50 as either invisible or infirm - rarely as modern, influential consumers. That gap mirrors workplace ageism in corporate America, where experience is undervalued even as results depend on it. The omission is striking given the economic reality of the silver economy.

The United States is home to more than 125 million adults aged 50 and older, representing nearly 40% of the population.⁴ This group controls over $10 trillion in household wealth, making it the most financially powerful consumer segment in the country.⁵ They are the engine behind a massive generational shift, and they’re spending accordingly.

They also remain one of entertainment’s most reliable audiences. Adults 50+ account for over 30% of U.S. movie theater attendance⁶ and spend more than $10 billion annually on movies and streaming.⁷ This is why older actors are increasingly the new box office draw, especially in the best movies with mature main characters.

When Hollywood leans into this reality, results follow. The Best Exotic Marigold Hotel, powered almost entirely by actors over 65, grossed approximately $137 million worldwide on a $10 million budget.⁸ Everything Everywhere All at Once, led by Michelle Yeoh in her late 50s and Jamie Lee Curtis, mid-60s, earned over $140 million globally, proving the success of diverse age representation in film.⁹ Nomadland, anchored by Frances McDormand in her 60s, delivered outsized cultural impact, underscoring how stories of reinvention resonate across generations.¹⁰

These films work because authenticity ages better than recycled IP. Stories about love, regret, resilience, and second acts don’t alienate younger audiences… they attract them. In a culture redefining middle age, experience has become aspirational.

Experience Is the New Disruption

Hollywood’s box-office woes aren’t just about streaming or people scrolling on their phones. They’re also about ignoring the biggest, wealthiest, and most reliable audience out there. Studios already know this, and award voters remind us every year.

The real question is when marketers will catch up.

That’s where Openly Gray comes in. OG exists to challenge ageism head-on—reframing aging as relevant and calling out a marketing culture that undervalues people after 50 while relying on their spending power, taste, and influence. In an experience economy, older consumers aren’t a problem to manage; they’re the growth engine.

The future isn’t younger. It’s grayer, richer, and already buying tickets.

Hollywood sees it. Advertising just needs to stop pretending it doesn’t. By Canice Neary